Rebecca Aparicio Vega reviews The Watch House at the Barnfield Theatre, Exeter.
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Review
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Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.
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Dina Evdokimova shares why The Glorious Art House, a quirky café on Fore Street, is one of the best spots in town.
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Rosie Batsford discusses censorship and feminist ideology in relation to Henrik Ibsen’s 1879 play A Doll’s House.
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Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
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Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
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Freda Worrell reviews Lewis Capaldi’s live performance at Westpoint arena
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Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
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Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
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Ella Minty, Print Arts + Lit Editor, reviews Le Navet Bete’s latest production, Robin Hood.
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Rebecca Aparicio Vega reviews The Watch House at the Barnfield Theatre, Exeter.
-
Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.
-
Dina Evdokimova shares why The Glorious Art House, a quirky café on Fore Street, is one of the best spots in town.
-
Rosie Batsford discusses censorship and feminist ideology in relation to Henrik Ibsen’s 1879 play A Doll’s House.
-
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
-
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
-
Freda Worrell reviews Lewis Capaldi’s live performance at Westpoint arena
-
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
-
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
-
Ella Minty, Print Arts + Lit Editor, reviews Le Navet Bete’s latest production, Robin Hood.
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