Tabby Burnett finds Amazon’s Modern Love to be an uneven but worthwhile collage of stories.
Max Ingleby finds Tell Me Who I Am to be a powerful documentary even if its existence raises some troubling questions.
Bridie Adams appreciates Eli’s adoption of classic horror tropes but ultimately finds it a confusing watch.
Following up from his stylish horror homage It Follows, David Robert Mitchell has attempted to transition into the neo-noir space with his latest LA-set pastiche Under the Silver Lake. After a year spent in post-production turmoil from a lukewarm Cannes screening, the film has been quietly dropped on MUBI’s streaming service day and date with its UK cinema […]
Since the transition from vinyl to CD, from cinema screens to TV, there has always been anxiety around new and emerging technologies. This can be seen even now, with Netflix’s rocky relationship with the Cannes Film Festival, and with more and more film distributors opting to skip theatrical releases entirely. All of this begs the […]