Sofia Gallucci-Giles reveals what was hot, what was not, and all things at the Fringe this year.
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Rebecca Winkle reviews David Mamet’s three-women comedy drama, ‘Boston Marriage’.
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Shotgun Theatre’s performance of Spring Awakening is nothing short of overflowing with talent, and I feel…
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W ill Gater is one of the current generation of ‘rock star’ science popularisers. He is…
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“There is a beast. Because I saw it”. I saw the beast of a show that…
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Morbidly chuckle-raising and intelligent in its silliness, EUTCo’s ‘Arsenic and Old Lace’ was a laugh for…
-
Best described as a ghost story set in Victorian Exeter, ‘One for Sorrow’ depicts Thomas Flay,…
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On the 9th of November I was privileged enough to review EUTCo’s performance of Neil LaBute’s…
-
Theatre With Teeth’s production ‘Angelus’ is a bold and emphatic piece of new writing, which certainly…
-
Spending an hour on the edge of your seat whilst being immersed like never before in…
-
Sofia Gallucci-Giles reveals what was hot, what was not, and all things at the Fringe this year.
-
Rebecca Winkle reviews David Mamet’s three-women comedy drama, ‘Boston Marriage’.
-
Shotgun Theatre’s performance of Spring Awakening is nothing short of overflowing with talent, and I feel…
-
W ill Gater is one of the current generation of ‘rock star’ science popularisers. He is…
-
“There is a beast. Because I saw it”. I saw the beast of a show that…
-
Morbidly chuckle-raising and intelligent in its silliness, EUTCo’s ‘Arsenic and Old Lace’ was a laugh for…
-
Best described as a ghost story set in Victorian Exeter, ‘One for Sorrow’ depicts Thomas Flay,…
-
On the 9th of November I was privileged enough to review EUTCo’s performance of Neil LaBute’s…
-
Theatre With Teeth’s production ‘Angelus’ is a bold and emphatic piece of new writing, which certainly…
-
Spending an hour on the edge of your seat whilst being immersed like never before in…
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