Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
Online News Editor Shagnick Bhattacharya shares his experience of the Guild’s 2024 Exefest
Shagnick Bhattacharya reviews EUTCo’s latest offering – The Crucible.
Lauren Walsh and Maddie Conlan share their experience at the Hags stage production.
Amy Rushton, Online Comment Editor, discusses Surrealism as an artistic movement, its successes and the future that lies ahead
Anna Spencer writes on Book Aid International in its 70th year, and the significance of the charity.
Online Music Editor, Maya Fernandes, discusses her thoughts on a recent viewing of Cabaret on the West End
Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Maddie Conlan, Print Arts and Lit Editor, reviews Ryan Simons’ Shock Horror as it takes the stage at Exeter Northcott Theatre.
Amy Cases explores Waterstones’s significance in the city of Exeter.
Lauren Walsh, Print Arts and Lit editor, explains why Blackwell’s is undoubtedly the best bookshop in Exeter.
Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
Rosie Batsford, Print News Editor, takes a look at this year’s impressive Booker Prize shortlist.
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
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