Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Arts & Lit
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Anna Spencer writes on Book Aid International in its 70th year, and the significance of the charity.
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Online Music Editor, Maya Fernandes, discusses her thoughts on a recent viewing of Cabaret on the West End
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Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
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Gracie Moore, Online Arts and Lit Editor, shares a self-written poem about finding the right person, at the wrong time
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Riona McLoughlin explores the evolution over time of love in stories for this Valentine’s week.
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Amy Rushton, Online Comment Editor, discusses the recent news of a theft of a piece of Banksy’s art from a street in London.
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Ellie McHale argues in defence of BookTok, its current and how it’s grown in popularity.
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Gracie Moore, Arts and Lit Editor, gives her review on Exeter Theatre Company’s latest show, the performance of David MacGregor’s ‘Vino Veritas’
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Joseph Terry, Print Sports Editor, delves into his favourite summer poem: Sea Fever by John Masefield.
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Rosie Batsford discusses censorship and feminist ideology in relation to Henrik Ibsen’s 1879 play A Doll’s House.
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Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
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Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
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Novel about Charles Ignatius Sancho wins Royal Society of Literature’s Christopher Bland Prize
Anna Kane discusses Paterson Joseph’s debut novel The Secret Diaries of Charles Ignatius Sancho.
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Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
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