Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.
Eloise Grainger discusses Just Stop Oil’s attack on the arts and why art is used to make a political statement.
Manon Martini, a Bookstagrammer, explores her top three books fit for this autumn season.
Lina Stenman, a volunteer at Exeter’s Royal Albert Memorial Museum (RAMM), discusses the upcoming exhibition opening on 23 September.
Amber Platel investigates the subtle power of Claire Keegan’s Foster and why it makes for a perfect summer read.
Amy Rushton, Online Comment Editor, delves into her love for the Rossettis, the Pre-Raphaelite movement and the role of female art at this time
Amberly Wright shares her week of Parisian summer and the artwork that framed it.
The saying goes that art imitates life. When visiting Van Gogh: The Immersive Experience, however, the roles are reversed. Lidia Cockerell discusses the VR exhibition and how digitalisation can shed new light on our understanding of art.
Whether you’re a humanities student or not, deciphering academic essays is challenging at the best of times. One can easily be overwhelmed by the amount of information available and the often dense writing style. Jessica Holifield shares her top tips for tackling secondary resources and how to use them to your advantage.
Print Arts + Lit editor Ella Minty shares her thoughts on Delia Owen’s bestselling novel, Where the Crawdads Sing.
Have you ever wandered into a bookshop and stumbled upon a “booktok” section? Reading, thanks to social media, is now trendier than ever. Certain novels and authors, however, seem particularly popular. Our social media executive Emily Im takes a deep dive into current literary trends and what is fuelling them.
Franz Kafka claimed that “first impressions are always unreliable”, but are they? Rhian Hutchings assesses the importance of books’ opening lines and why some are more impactful than others.
Georgia Balmer discusses Eve Babitz’s life and writing, and why her work remains relevant today.
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