Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Magdalena Kanecka discusses the relaunch of an iconic museum and why it is so revolutionary
Catherine Wakefield covers the way black talent has come to the fore and the importance of amplifying black voices
Mitchel Rowe covers Roxane Gay’s success and how she is a shining light for black, female and queer authors
Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
Anna Kane discusses Paterson Joseph’s debut novel The Secret Diaries of Charles Ignatius Sancho.
Faith Dale-Hughes gives her two cents on the new Mulaney material, performed in Hammersmith, London.
Isabella Ankerson, Deputy Online Editor, reviews Theatre with Teeth’s newest production, It’s a Woman’s World.
Rhian Hutchings reminisces on family photographs, and the sentimental value they have for us in lockdown.
Bridie Adams questions the fairness of gallery and theatre reopening in relation to the rest of the economy. Is it right that retail opens before the arts?
Amplify’s Online Editor, Rupali Naik, interviews the founders of The Creative Switch on their recent growth, work, and experiences.
Print Editor Bryony Gooch looks at the University of Leicester’s decision to axe Medieval Literature as an attempt to decolonise the curriculum.
Austin Taylor explores Exeter’s rich architectural histories, from its Roman roots to its Georgian splendour
Eirwen Abberley Watton draws our attention towards an often ignored sub-genre – climate fiction – and the tangible impacts it has.
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