Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Mitch Rowe discusses Pixar’s new film, Elemental, and notes the film’s use of social-issue themes.
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Anna Mear discusses all four of Wes Anderson’s short film adaptations of Roald Dahl classics.
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Kayleigh Swart discusses the second season of Netflix’s Heartstopper, finding the show perfectly warming and cheesy in all the right ways.
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Emily Rizzo looks at the work of supremely talented yet often and unfairly neglected cinematographer Bruno Delbonnel
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With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
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Catherine Stone praises Coogler’s respectful continuation of the Black Panther story whilst acknowledging its struggles to live up to its predecessor
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Jessica Cadogan finds that despite being an aesthetic treat, Empire of Light ultimately lacks substance and tries to tackling too many hard-hitting issues
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Niamh Walsh predicts the results of this year’s Academy Awards.
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Jack Walton gives us an insight into the rise in popularity of documentaries.
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For Freddie Crawford, It’s a Sin is a must watch
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Max Ingleby finds The Dig to be more of a damp trench than an unearthed treasure trove
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Caitlin Barr considers the history of awards ceremonies, discrimination, and Michaela Coel’s I May Destroy You
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Marking a fresh start for the MCU, Arjumand Qobil reviews the first three episodes of WandaVision
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