Jakub Ciesielski discusses the detailed depiction of Bob Dylan’s life in ‘A Complete Unknown’.
Menu
Jakub Ciesielski discusses the detailed depiction of Bob Dylan’s life in ‘A Complete Unknown’.
Magdalena Kanecka, Online International Editor, discusses the controversy around new erotic thriller, ‘Babygirl’.
Owen Peak reviews ‘Conclave’, a gripping religious thriller that critiques power and hypocrisy in the Catholic Church.
Gracie Moore, Editor-in-Chief, dives into the third instalment of the Paddington Bear films
Kayleigh Swart, Print Art and Lit Editor, discusses the highs and lows of the new season of ‘The Great British Bake Off’.
Online Editor-in-Chief Katie Matthews ranks 2024 Christmas adverts
Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
Jakub Ciesielski discusses the detailed depiction of Bob Dylan’s life in ‘A Complete Unknown’.
Magdalena Kanecka, Online International Editor, discusses the controversy around new erotic thriller, ‘Babygirl’.
Owen Peak reviews ‘Conclave’, a gripping religious thriller that critiques power and hypocrisy in the Catholic Church.
Gracie Moore, Editor-in-Chief, dives into the third instalment of the Paddington Bear films
Kayleigh Swart, Print Art and Lit Editor, discusses the highs and lows of the new season of ‘The Great British Bake Off’.
Online Editor-in-Chief Katie Matthews ranks 2024 Christmas adverts
Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
Subscribe to our newsletter for the latest news & updates.
Sign up to our newsletter