Owen Peak reviews ‘Conclave’, a gripping religious thriller that critiques power and hypocrisy in the Catholic Church.
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Reviews
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Gracie Moore, Editor-in-Chief, dives into the third instalment of the Paddington Bear films
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Kayleigh Swart, Print Art and Lit Editor, discusses the highs and lows of the new season of ‘The Great British Bake Off’.
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Online Editor-in-Chief Katie Matthews ranks 2024 Christmas adverts
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Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
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Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
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Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
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Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
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Owen Peak reviews Almodóvar’s poignant exploration of friendship and mortality in ‘The Room Next Door’.
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Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
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Owen Peak reviews ‘Conclave’, a gripping religious thriller that critiques power and hypocrisy in the Catholic Church.
-
Gracie Moore, Editor-in-Chief, dives into the third instalment of the Paddington Bear films
-
Kayleigh Swart, Print Art and Lit Editor, discusses the highs and lows of the new season of ‘The Great British Bake Off’.
-
Online Editor-in-Chief Katie Matthews ranks 2024 Christmas adverts
-
Joseph James reviews Ridley Scott’s new historical action sequel, ‘Gladiator II’.
-
Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
-
Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
-
Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
-
Owen Peak reviews Almodóvar’s poignant exploration of friendship and mortality in ‘The Room Next Door’.
-
Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
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