Kayleigh Swart reviews Captain America: Brave New World—a fresh start or just another Marvel sequel?
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Kayleigh Swart reviews Captain America: Brave New World—a fresh start or just another Marvel sequel?
Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Beth Casey examines the new Apple TV + film ‘The Gorge’, discussing its’ strange mix of genres and expensive visuals.
Gemma Gradwell discusses the opulence and energy of the recent Campus Cinema showing, ‘Marie Antoinette’.
Rebecca Aparicio Vega reviews the new music documentary ‘Becoming Led Zeppelin’, exploring the impact of the band’s music.
Beth Casey reviews the new series of Netflix’s action packed thriller ‘The Night Agent’.
Magdalena Kanecka reviews ‘Apple Cider Vinegar’— a disturbing dive into lies, health fads, and social media manipulation.
Eloise Grainger dissects the latest season of ‘The Traitors’—a masterclass in deception or a frustrating watch?
Magdalena Kanecka revisits Bridget Jones in ‘Mad About the Boy’—a nostalgic farewell or a new beginning?
Rebecca Aparicio Vega explores ‘The Brutalist”, a gripping portrayal of trauma, art, and the elusive American Dream.
Kayleigh Swart reviews Captain America: Brave New World—a fresh start or just another Marvel sequel?
Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Beth Casey examines the new Apple TV + film ‘The Gorge’, discussing its’ strange mix of genres and expensive visuals.
Gemma Gradwell discusses the opulence and energy of the recent Campus Cinema showing, ‘Marie Antoinette’.
Rebecca Aparicio Vega reviews the new music documentary ‘Becoming Led Zeppelin’, exploring the impact of the band’s music.
Beth Casey reviews the new series of Netflix’s action packed thriller ‘The Night Agent’.
Magdalena Kanecka reviews ‘Apple Cider Vinegar’— a disturbing dive into lies, health fads, and social media manipulation.
Eloise Grainger dissects the latest season of ‘The Traitors’—a masterclass in deception or a frustrating watch?
Magdalena Kanecka revisits Bridget Jones in ‘Mad About the Boy’—a nostalgic farewell or a new beginning?
Rebecca Aparicio Vega explores ‘The Brutalist”, a gripping portrayal of trauma, art, and the elusive American Dream.
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