Lisette Reed has nothing but praise for Dreamworks’ new, now Oscar-nominated animated extravaganza, Puss in Boots: The Last Wish.
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Lisette Reed has nothing but praise for Dreamworks’ new, now Oscar-nominated animated extravaganza, Puss in Boots: The Last Wish.
Though initially hesitant, Emma Kennedy has nothing but praise for HBO’s The Last of Us, a series adaptation of the iconic 2013 videogame
The unexpected farming tour-de-force returns for a second season, and sees the controversial former Top Gear presenter goes from bumbling oaf to agricultural activist, writes Harry Craig
Gracie Moore finds flaws but also promise and a change of approach to the first half of Netflix’s smash hit show
Emily Roughton gives her take on the long-awaited Knives Out sequel she believes outwits its predecessor
Toby Davies has nothing but praise for Andor, the new Rogue One prequel series from Disney+
With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
Catherine Stone praises Coogler’s respectful continuation of the Black Panther story whilst acknowledging its struggles to live up to its predecessor
Jessica Cadogan finds that despite being an aesthetic treat, Empire of Light ultimately lacks substance and tries to tackling too many hard-hitting issues
Jake Avery finds that while The Menu provides high-octane moments of tension, it feels a tad undernourished in terms of emotional engagement
Lisette Reed has nothing but praise for Dreamworks’ new, now Oscar-nominated animated extravaganza, Puss in Boots: The Last Wish.
Though initially hesitant, Emma Kennedy has nothing but praise for HBO’s The Last of Us, a series adaptation of the iconic 2013 videogame
The unexpected farming tour-de-force returns for a second season, and sees the controversial former Top Gear presenter goes from bumbling oaf to agricultural activist, writes Harry Craig
Gracie Moore finds flaws but also promise and a change of approach to the first half of Netflix’s smash hit show
Emily Roughton gives her take on the long-awaited Knives Out sequel she believes outwits its predecessor
Toby Davies has nothing but praise for Andor, the new Rogue One prequel series from Disney+
With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
Catherine Stone praises Coogler’s respectful continuation of the Black Panther story whilst acknowledging its struggles to live up to its predecessor
Jessica Cadogan finds that despite being an aesthetic treat, Empire of Light ultimately lacks substance and tries to tackling too many hard-hitting issues
Jake Avery finds that while The Menu provides high-octane moments of tension, it feels a tad undernourished in terms of emotional engagement
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