Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
Bronwyn Payne discusses the first few episodes of the second season of Loki, a show which, among controversy and overcomplexity, finds light in the addition of Ke Huy Quan.
Daniel Eke explores director Ken Loach’s most recent, and rumoured last, film: The Old Oak.
Amy Rushton, Online Comment Editor, discusses the hilarious high-school comedy Bottoms, and its importance in queering the genre.
Mitch Rowe discusses Pixar’s new film, Elemental, and notes the film’s use of social-issue themes.
Anna Mear discusses all four of Wes Anderson’s short film adaptations of Roald Dahl classics.
Kayleigh Swart discusses the second season of Netflix’s Heartstopper, finding the show perfectly warming and cheesy in all the right ways.
Gracie Moore, Online Arts and Lit Editor, offers much praise for season 4 of Sex Education, especially noting the way the series ties together plotlines from previous seasons.
Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
Bronwyn Payne discusses the first few episodes of the second season of Loki, a show which, among controversy and overcomplexity, finds light in the addition of Ke Huy Quan.
Daniel Eke explores director Ken Loach’s most recent, and rumoured last, film: The Old Oak.
Amy Rushton, Online Comment Editor, discusses the hilarious high-school comedy Bottoms, and its importance in queering the genre.
Mitch Rowe discusses Pixar’s new film, Elemental, and notes the film’s use of social-issue themes.
Anna Mear discusses all four of Wes Anderson’s short film adaptations of Roald Dahl classics.
Kayleigh Swart discusses the second season of Netflix’s Heartstopper, finding the show perfectly warming and cheesy in all the right ways.
Gracie Moore, Online Arts and Lit Editor, offers much praise for season 4 of Sex Education, especially noting the way the series ties together plotlines from previous seasons.
Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
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