Natalie Tongue discusses the after-math of the burning of Notre Dame and where the donations for it’s re-build have originated.
Class. Britain is obsessed with it. That divisive taboo, the weird networks of have-mores and have-lesses. Art in Britain often explores this obsession, frequently focussing on the plight of the working-class family, or the perils of class mobility. Author Javaad Alipoor summarises this attitude as the arts world seeing working-class people as a problem to […]