Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.
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Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Max Shepherd discusses why science fiction might be the literary genre that is best equipped to deal with a world in crisis.
Screen Editor Olivia Garrett writes about the new Bill and Ted movie and explores the problems of long awaited sequels.
On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
When Netflix decided to plough the old, worn out furrow of the ‘Earth is dead and it’s our fault’ Sci-Fi film, you would have thought they would at least have …
Riona McLoughlin discusses new dystopian sci-fi The Creator, noting the incredible detail of the visual effects and the fantastic performances from the cast.
Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
Max Shepherd discusses why science fiction might be the literary genre that is best equipped to deal with a world in crisis.
Screen Editor Olivia Garrett writes about the new Bill and Ted movie and explores the problems of long awaited sequels.
On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
When Netflix decided to plough the old, worn out furrow of the ‘Earth is dead and it’s our fault’ Sci-Fi film, you would have thought they would at least have …
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