Online Deputy Editor Amberly Wright reflects on the North Devon Council proposal to go meat-free, and the implications for British farming communities and climate
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Online Deputy Editor Amberly Wright reflects on the North Devon Council proposal to go meat-free, and the implications for British farming communities and climate
Callum Martin, Online Editor-in-Chief, speaks to award-winning comedian Josh Widdicombe.
Tabitha John reports on University of Exeter’s ‘Law on the Beach’ initiative in action.
Anna Spencer writes on the upcoming Devon hot air balloon festival
Cora Jamieson recalls the discovery of a bomb in the University of Exeter after the recent displacement of Plymouth residents due to a similar incident involving a World War II bomb.
Rachel McEwan writes on Devon’s new environmental project
Online Deputy Editor, Ewan Edwards, writes on the recent people smuggling investigation in Devon.
Eloise Grainger writes on the predictions for recent Storm Agnes.
Gracie Moore, Online Arts + Lit Editor, writes on information regarding the hornet sighting.
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Online Deputy Editor Amberly Wright reflects on the North Devon Council proposal to go meat-free, and the implications for British farming communities and climate
Callum Martin, Online Editor-in-Chief, speaks to award-winning comedian Josh Widdicombe.
Tabitha John reports on University of Exeter’s ‘Law on the Beach’ initiative in action.
Anna Spencer writes on the upcoming Devon hot air balloon festival
Cora Jamieson recalls the discovery of a bomb in the University of Exeter after the recent displacement of Plymouth residents due to a similar incident involving a World War II bomb.
Rachel McEwan writes on Devon’s new environmental project
Online Deputy Editor, Ewan Edwards, writes on the recent people smuggling investigation in Devon.
Eloise Grainger writes on the predictions for recent Storm Agnes.
Gracie Moore, Online Arts + Lit Editor, writes on information regarding the hornet sighting.
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
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