Ahead of International Women’s Day, Amelie Marah discusses the longstanding lack of recognition of female artists within the indie music scene
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Ahead of International Women’s Day, Amelie Marah discusses the longstanding lack of recognition of female artists within the indie music scene
Wilf Smith delves into the latest release of The Weeknd, analysing its brilliance track by track
Maya Dallal delves into the debut EP of up-and-coming band, Man/Woman/Chainsaw, and why you should look out for and listen to them in 2025
Maya Dallal interviews one of the hottest new bands in the Southwest, Sid Plus One, ahead of the release of their debut single this January
Maya Dallal interviews one of the hottest new bands in the Southwest, Sid Plus One, ahead of the release of their debut single this January
Print Sport Editor, Eloise Grainger, gives her predictions regarding her year in music, particularly the heated battle to be her number one artist
Zac Robinson talks through the hopeful artists in his Spotify wrapped, citing some of the finest music produced in our generation
Bethany Donovan reviews the wonderful soundtrack to Mary Poppins, drawing upon its infectious magic and connections to her childhood
Hope Ashford reviews Ariana Grande’s album “Eternal Sunshine”, and her thoughts on the pop superstar’s evolving discography.
Kayleigh Swart, Print Screen Editor, discusses the controversies surrounding track-exclusive vinyl in light of recent events.
Maya Fernandes, Online Music Editor, reviews the recent gig from San Francisco indie-pop band The Umbrellas at Exeter Cavern.
Gracie Moore, Online Arts and Lit Editor, reviews The 1975’s performance in Madrid on their tour, “Still… At Their Very Best.”
Amy Rushton, Online Comment Editor, reviews a live performance from Irish singer-songwriter CMAT in Amsterdam.
Florence New reviews Reneé Rapp’s recent performance at the Roundhouse in Camden for her “Snow Hard Feelings” tour.
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