Print Arts and Lit Editor, Isabel Bratt, reviews Markiplier’s debut feature film, Iron Lung
Screen
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Lachlan Evans delves into his favourite year of cinema, emphasising the quality across a range of genres that 1995 produced
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Online Sport Editor, Connor Myers, reviews Ethan Coen’s new comedy detective film
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Print Sport Editor, Eloise Grainger, assesses the success and originality of the live-action remake of the beloved childhood film
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Kayleigh Swart reviews Captain America: Brave New World—a fresh start or just another Marvel sequel?
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Amberly Wright, Deputy Online Editor, explores how to fill the gap left by ‘Love Island’ in the reality TV schedule.
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Beth Casey examines the new Apple TV + film ‘The Gorge’, discussing its’ strange mix of genres and expensive visuals.
Latest Posts
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Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
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Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
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Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
- FeaturesInternational ScreensScreenUncategorized
International Cinema Spotlight: Pedro Almodóvar’s Groundbreaking Filmography
Owen Peak uncovers the visual flair of Pedro Almodóvar’s films
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Pollyanna Roberts, Print Screen Editor, discusses the haunting impact of Horror classic ‘The Texas Chainsaw Massacre’ on cinema today.
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April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
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Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
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