Katie Matthews addresses the pins celebrities wore to the Oscars in support of a call for ceasefire in Gaza, and questions if it was enough.
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Katie Matthews addresses the pins celebrities wore to the Oscars in support of a call for ceasefire in Gaza, and questions if it was enough.
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Maddie Conlan, Print Arts and Lit Editor, discusses some iconic British reality television, especially noting longtime favourite The Apprentice.
Magdalena Kanecka discusses the beautiful directing of Oscar winning director Bong Joon-ho.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
Daniel Eke discusses the newest film from Studio Ghibli, and notes the stunning visuals and themes of family.
Kayleigh Swart, Print Screen Editor, discusses the new Wonka film, praising its actors and world-building.
Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
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