Katie Matthews addresses the pins celebrities wore to the Oscars in support of a call for ceasefire in Gaza, and questions if it was enough.
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Katie Matthews addresses the pins celebrities wore to the Oscars in support of a call for ceasefire in Gaza, and questions if it was enough.
Maddie Conlan, Print Arts and Lit Editor, discusses some iconic British reality television, especially noting longtime favourite The Apprentice.
Magdalena Kanecka discusses the beautiful directing of Oscar winning director Bong Joon-ho.
Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Immortalisation of the female body, is it beautiful or a gross infatuation? Michel Rowe considers nudity in cinema, comparing the media of film, to classic sculpture.
Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
Antonella Perna reviews Netflix’s Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
With the 60th Anniversary and Christmas Specials now released, Ben Holdstock gives a summary of every decade of Doctor Who, noting actor changes, developments in technology, and key episodes to watch from each era- from the 1960s to Present Day.
Amy Rushton, Online Comment Editor, discusses her favourite Christmas special, from the British television classic ‘Ghosts.’
Megan Perry discusses David Fincher’s Netflix thriller, praising the Killer’s characterisation and noting the questions posed by such an intricate character.
Daniel Eke discusses the 2010 Doctor Who Christmas Special, and why this makes the perfect festive watch.
Bronwyn Payne discusses Petite Maman in relation to Sciamma’s Portrait of a Lady on Fire.
Lachlan Evans discusses Japanese film royalty Yasujiro Ozu and his 1953 film Tokyo Story, noting his expert shot composition and subtle storyline.
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